MAGIC BULLET LOOKS ONLINE SKIN
MAGIC BULLET LOOKS ONLINE PRO
MAGIC BULLET LOOKS ONLINE SOFTWARE

The keyer is simple to use and lets the colorist isolate one color in the clip, such as skin tone or an object, for separate correction apart from the overall changes that the primary knobs would make to the entire image. The simplified interface makes it easy to isolate a specific color in the shot and make fine adjustments to it. However, there are still a lot of powerful features in Colorista. Colorista also lacks any type of tracking feature. So for jobs of easy to moderate complexity, Colorista is a great tool.Д¬olorista has a set of primary adjustments, as in Apple ColorвЂ™s вЂњrooms.вЂќ It also has one secondary set, where Apple Color allows for eight secondary color grades. But Colorista is also not as complicated as Color. To put it on the continuum with the aforementioned products, ColoristaвЂ™s functionality is far beyond FCPвЂ™s built in three-way color corrector, but short of the tracking and masking functionality of AppleвЂ™s node-based Color. But while Color required a вЂњround tripвЂќ out of and back into Final Cut Pro, Colorista operates right within FCP to speed the workflow. Colorista IIД¬olorista II is a full-fledged color correction filter that shares base functionality with other correctors, such as AppleвЂ™s built in three-way color corrector, the BorisFX color corrector, and AppleвЂ™s stand-alone Color application. You can see examples of this style all over television these days, where the locations and costumes have a deep teal tint to them with super dark shadows, yet the actorsвЂ™ faces remain radiantly golden.

Mojo also excels at isolating skin tones, allowing corrections to be made to the other parts of a scene while maintaining flesh tones. It could easily have no settings, be called вЂњFilm LookвЂќ and be worth its price. to give stunning looks to a clip with minimal work. Mojo excels at combining tint, saturation, etc.

MAGIC BULLET LOOKS ONLINE PRO

Simply applying MojoвЂ™s default settings as a filter in Final Cut Pro gave my test clip a dramatic improvement. However, the limited set of sliders allows for an unlimited amount of adjustment and tuning to a clipвЂ™s color, making Mojo an infinitely powerful tool. With a deceptively simple looking set of sliders, the Mojo filter at first seems too simple.

Mojo works by adjusting the tint, saturation, gamma, contrast, shadows and highlights in the same way that a three-way color corrector might. LetвЂ™s take a quick look at four of the components of the Magic Bullet Suite 10 - Mojo, Colorista II, Looks and the Looks add-on вЂњStu MaschwitzвЂ™s Rebel Epic.вЂќ Mojo

The Magic Bullet products are plug-ins that work within the top editing and effects programs such as AppleвЂ™s Final Cut Pro (FCP) and Motion, AdobeвЂ™s After Effects and Premiere, Sony Vegas and Avid Express. Included in the suite are Colorista II, a powerful color correction tool Denoiser to clean up grainy or вЂњnoisyвЂќ video Frames to easily convert interlaced video to progressive Grinder to convert your files to various formats and frame rates Instant HD to convert standard definition video to hi-def Looks to quickly change the look of a clip to emulate popular movies and music video styles, along with its companion plug-in Photo Looks for still images and Mojo for a quick application of a вЂњfilm lookвЂќ to a clip. If youвЂ™re looking to give your videos the look of a Hollywood blockbuster without actually breaking the bank, this is a good place to start.

MAGIC BULLET LOOKS ONLINE SOFTWARE

Magic Bullet Suite 10 from Red Giant Software is a bundle of software products for post-production color grading and correction, enhancement of standard definition files to HD, noise reduction and format conversion.

Magic bullet looks online